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 9.1 Two figures, City of the Future (after Tarkovsky’s Solaris), SomArts Gallery, San Francisco, California, 2007. Image from the video storyboard of the two-channel video installation. |
 9.2 Delayed message, City of the Future (after Tarkovsky’s Solaris), Screen image from “The Death of Breton” sequence. |
 9.3 Mouth, City of the Future (after Tarkovsky’s Solaris). Screen image from the “Wittgenstein and the Problem of Other Minds” sequence. |
 9.4 Emblem #1, Atlanta Fugiens, “City of the Future,” SomArts Gallery, San Francisco, California, 2007. Digital print of one of Michael Maier’s 17th century alchemical emblems used in the installation. |
 9.5 Approaching Tokyo, City of the Future (after Tarkovsky’s Solaris). Screen image from channel one video loop. |
 9.6 Ocean, City of the Future (after Tarkovsky’s Solaris). Screen image from the “Solaris” sequence. |
 9.7 Image after Max Ernst, City of the Future (after Tarkovsky’s Solaris). Screen image from “The Color of Water” sequence. |
 9.8 Lovers, City of the Future (after Tarkovsky’s Solaris). Screen image from the “Infinite Loop” sequence. |
 9.9 Ghosts, City of the Future (after Tarkovsky’s Solaris). Screen image from the “Ghosts in the Machine” sequence. |
 9.10 Sleeping robot, City of the Future (after Tarkovsky’s Solaris). Screen image from the “Mimique” sequence. |
 9.11 Image after Max Ernst, City of the Future (after Tarkovsky’s Solaris). Screen image from “The Color of Water” sequence. |
 9.12 The Future, “City of the Future,” SomArts Gallery, San Francisco, California, 2007. Neon sculpture. |
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SOUVENIR INDEX
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