4.1
Clean Works, Intersection for the Arts, San Francisco, California, 1989. Detail of a window installation for the first “A Day Without Art,” a nationally organized arts event bringing attention to the AIDS crisis. |
4.2
Walkabout, Multi-Media Studies Program, San Francisco State University, San Francisco, California, 1999. Hundreds of digital photographs from the artist’s daily walks around the city composed this interactive Net Art project. |
4.3
Untitled, “The Elision of Master Narratives” Series, 1991. One of eight 10’ x 12’ oil paintings. |
4.4
Immemorial, Hearst Court, De Young Museum, San Francisco, California, 1992. A performance/sculpture created in conjunction with “A Day Without Art.” |
4.5
Cover, Homosuite, c. 1997. Interactive CD-ROM. |
4.6
Mimique, 1991. Oil on canvas.
Collection of Jonathan D. Katz. |
4.7
Meat Rack, “Picturing AIDS: 1986-1996,” The Center, San Francisco, California, 2007. A screen image from the interactive CD-ROM Haunted House (1995) was reproduced for this exhibition. |
4.8
Lover 7, 2002. Adapted from an earlier Net Art project called Perfect Lover, this single-channel video was presented by (QAR), San Francisco, California, 1998. |
4.9
Cala Lily, My Dead, 1996. Interactive CD-ROM. |
4.10
Cover, Mourning Becomes Ecstatic, 1977. Interactive CD-ROM. |
4.11
Man Hiding His Face, The Origin of Light, 2003. Artist’s book and
interactive CD-ROM. |
4.12
Melting Ice, “Ordinary Language,” Lux Gallery, San Francisco, California, 1999. Screen image from Sein und Zeit (a two-channel video), the title of Martin Heidegger’s Being and Time as melting ice words. |