- Souvenir: 1977 – 2007
- AIDS Work: 1986 – 1996
- Hybrid Projects
The Seed Company is a hybrid media project in development that includes an Augmented Reality installation in San Francisco’s Tenderloin National Forest.
Atkins, Robert, Sokolowski, Thomas W. From Media to Metaphor: Art About AIDS, Independent Curators Inc., 1991, 41.
Blake, Nayland, Lawrence Rinder, Amy Scholder, eds. In a Different Light: Visual Culture, Sexual Identity, Queer Practice. San Francisco: City Lights Books, 1995, 74-75.
Kamps, Toby, Steve Seid, and Jenni Sorkin. Silence, Yale University Press, 2012, 103.
Katz, Jonathan David. “The Senators Were Revolted: Homophobia and the Culture Wars,”A Companion to Contemporary Art Since 1945, Amelia Jones (Editor), Malden, Mass., and Oxford, 2006, 244.
Keats, Jonathon, Intro.; Morgan, Tom; McBride, Laura, Design, Modernism, Twenty-five Years 1979-2004, San Francisco: Modernism Inc., 2005, 276.
Roth, Moira. Difference/ Indifference: Musings on Postmodernism, Marcel Duchamp and John Cage, commentary by Jonathan D. Katz, Amsterdam: Gordon and Breach Publishing Group, 1998, 142.
Selz, Peter. Art of Engagement: visual politics in California and beyond / Peter Selz ; with an essay by Susan Landauer, Berkeley, Calif. ; London : University of California Press, 2005, 210.
Tina Takemoto, “Immemorial: The Poetics of AIDS; A Conversation with Rudy Lemcke,” Art Journal Open (June 22, 2015).
Zuern, John. “Figures in the Interface: Comparative Methods in the Study of Digital Literature,” Reading Moving Letters: Digital Literature in Research and Teaching. Ed. Roberto Simanowski, Jürgen Schäfer, and Peter Gendolla. Bielefeld: transcript Verlag, 2010.